The move lasts the complete length of the
track (3.18) and was pre-programmed in 3D before the data was fed into
the rig. In one shoot day it required more than 50 repeat passes for the
final composite. Everything was shot on an Arri Alexa at 25 FPS using a
Cooke 5/i prime lens. Both the Titan rig and the lighting sequence was
all triggered from a timecode on the audio track.