The Milo’s camera move was to push in and
move vertically up the side of the structure to tell the full story. By
jibbing up at an optimal speed it never appears as though moving up the
structure but rather as one continuous stream of animations.
You may have noticed our Milo looking a lot prettier than normal in the
behind the scenes. Production were worried amount the reflections of our
traditionally black rig in the glasses so we wrapped it in white.